We are two weeks into 2010, but this past year still intrigues me. There are some excellent games back there, some of which I still eagerly await to play. In just a few weeks Mass Effect 2 will be released, followed by a glut of titles that will turn my attention away from the gems of yesteryear. I will usher in these new moments with some antagonistic reflections. Let me take one last look into 2009 and answer the question Scott posed at the end of his New Year's post: What are you glad we are leaving behind? Here are a few things that popped up, time and again, in even the best games of 2009, that I hope do not make an appearance this year.
When I play a video game, I am agreeing to explore a set of rules put forth by the developer. There is a reasonable expectation that this set of rules follows its own internal logic, and is fair and balanced. When game mechanics deviate from these expectations arbitrarily, they fuel frustration and deliver a steaming pile of dissonance. The most recent example I have encountered has left numerous players flabbergasted. In Assassin's Creed 2, why can no one in Italy swim but Ezio?
This is not a game ruining flaw, the ambiance of the game more than makes up for it, but still, the high rate of drowning in Renaissance Italy is absurd. Sure, there is very likely an explanation that involves technical limitations and budget restraints, but would that be a reasonable excuse? Are frequent drownings - on one occasion causing the death of allies - worth the assassin's new-found ability to swim? If constraints were so severe that NPCs would drown the moment they touched water, I would expect the developer to seriously reconsider setting a large portion of the game in Venice, a city literally sinking into the Mediterranean Sea.
Other offenders include Resident Evil 5 and Call of Juarez. The jerky control scheme in RE5 consistently infuriates me, yet those undead hordes move with a deadly grace far beyond what their rotting musculature should allow. While CoJ handles fine, the frequent duels with shockingly prescient opponents turn a classic Western climax into an insufferable pain. Mechanical inequality is sloppy at best, and particularly offensive considering how apparent these flaws become over time.
The Blank Slate
Like the judges of Britain's Got Talent, I am a big fan of diversity. I would love to see more non-normative characters in games. Though I am a person of color myself, if a character is compelling enough, I usually relate to a normative protagonist easily. These profile tropes are more egregious when these protagonists lack character. Unfortunately, the number of emotionless stereotypes populating the medium in 2009 has been overwhelming. The ranks of short-haired white-males with stern appearances and vapid behaviors have grown too plentiful. In their ranks I include Ezio of Assassin's Creed 2, Cole of inFamous, Alex of Prototype, and Alec from Red Faction: Guerrilla, just to name a few.
There worst trait is not their race, but there blank slate nature. These characters are emotionally empty. They reveal little about themselves and show little evidence of having their own motivations beyond "accomplish this next goal." They commit their actions with no self-reflection, at best showing inconsistent remorse over how many people they have killed. The same can be said for numerous NPCs with little to no personality. As Scott has mentioned on numerous occasions, games like Uncharted 2, Dragon Age: Origins, and Left 4 Dead 2, put these games to shame with their complex and more diverse set of characters. Unless developers are self-aware and tactfully making a statement about the medium, there is no excuse for worlds populated by vacuous automatons.
I understand developers - and mad scientists - have been struggling with artificial intelligence for decades. Creating realistic behaviors for non-player characters is a daunting and arduous task. That being said, we all recognize when NPCs act with glaring stupidity. Most of the time, this idiocy manifests in the background. The civilians of Prototype, for example, run around in disaster sites with chaotic abandon. They exhibit no sense of purpose, no realistic desire to flee to safety. The same can be said of civilians in Assassin's Creed 2, who quickly forget about witnessing a murder and continue their perpetual roaming of the city
The worst offenders, however, are those we rely on. Whichever brother one might play in Call of Juarez, for example, will inevitably be dragged down by the lunacy of the other. Even Dragon Age, a game I am enjoying immensely right now, is guilty of poor party behavior. While I like the complexity of the tactics slot mechanics, the fact early game allies lack basic combat logic is absurd. Forcing players to invest in more tactics slots, and therefor better AI, is a backwards design decision players should not have to worry about.
2010 will not be the year of miracles. There will be more head-shaven dolts rampaging about inconsistent and unfair worlds. Yet, a short ineffective rant about a year of flaws can be healthy. It allows me to temper my optimism for this year's titles, while also appreciating the efforts of those who seek to enliven the medium and learn from past mistakes. With my aggravations cleared out, I am open for all the successes and failures the future holds.